Quantcast
Channel: The Trinidad Guardian Newspaper - Peter Ray Blood
Viewing all 284 articles
Browse latest View live

Sharon Rowley returns to school

$
0
0

When Bishop Anstey Junior School (BAJS) hosts its 50th Anniversary Recognition celebration on Saturday, December 17, Sharon Rowley, wife of Prime Minister Keith Rowley, will be the patron of the event.

She graduated from the school at Monte Cristo, St Ann’s in 1970, and says she owes much of her successes in life to the tutelage she received at the Monte Cristo institution in St Ann’s. Rowley entered BAJS in its second enrollment of students in 1967.

Esther Best, chair of the BAJS Board of Management, expressed pride in honouring the accumulation of over 363 years of service to BAJS by the people to be recognised. Rowley, as well as her sisters, children, nieces and nephew, all attended BAJS.

In an interview with the T&T Guardian this week, reflecting on her stint at BAJS, Rowley said: “I can readily say it was perhaps one of the best periods of my educational experience. Moving from Tranquility Primary to Bishop’s Junior, at the age of eight, was to me, at the time, a transition into bliss. I moved from a school where corporal punishment was the order of the day to one where discipline took the form of order marks or detentions.

“Rulers, straps and canes were unheard of, but we were all remarkably disciplined. Learning was no longer just English and Arithmetic but included Geography, History, French, Scripture, Dance, Physical Education and General Science. I was like a sponge at that age and, to this day, I remember fondly the books that I used, the teachers who made an impression, some of whom, like Angela Massiah (now Nicholls), I speak with regularly. I remember the hikes to the forest, catching fish in the river and treks to the games field which, at the time, seemed to be as large as the (Queen’s Park) Savannah.”

Rowley continued: “It was the perfect foundation for what an education should be. We were taught to be all-round students and, where you had the ability to excel, you were encouraged to do so. Without knowing it, you were being taught to reach for the stars in your endeavours.

“The moral training which you received was generally an extension of what you were taught at home. Ingrained in you were good moral values and spirituality (I was a Roman Catholic in an Anglican school but I never felt different). I had a thirst for knowledge, and punctuality and discipline were important. There was always beneficial competitiveness and I thrived on it.”

Alumni of BAJS contend that the school is the ideal crucible for forging positive family values and virtues. About the influence BAJS had on her and her family, Rowley said: “I come from a family of three girls, and once my elder sister attended the school, it was a natural progression that I should attend, as well as my younger sister. At the time it was an all girls’ school and I don’t think we have suffered as a result. We all proudly fly the BAJS flag.

“The experience was so positive and we were all so satisfied with the end-product that my younger sister and I have sent all our children to Bishop’s Junior and they have all done well. To do otherwise we would have been traitors (smile). In fact, I can safely say there was never a day when my girls did not want to go to school. They enjoyed the school immensely. I see the Junior School as part of our family legacy; a tradition which I see that my elder daughter, Tonya, intends to abide by since I hear her speaking of sending her 21-month-old son to BAJS.”

BAJS has produced many of the nation's exemplars and public figures. Ingrid Lashley is now the managing director, chief executive officer of TTMF, and Etienne Charles, who recently hosted the San Jose Suite concert at Queen's Hall, is an internationally recognised musician, recording artiste, composer, arranger, and assistant professor of Jazz Studies at Michigan State University, USA. UK-based French Caribbean composer Dominique Le Gendre is also a BAJS alumna and has written extensively for theatre, BBC radio drama, film, television and dance over the 25 years that she has been living in London.

“And there are so many others who have become lawyers, doctors, teachers, psychologists, environmental scientists, bankers, marketing specialists, managers, architects, song writers, radio show hosts, models,” added Rowley. “You name it, a former student of BAJS has excelled in the field.”

Rowley is elated at being invited to be the patron of the 50th anniversary event and hopes that the school will have another successful 50 years.

“As the patron, and as an alumni of the school, I hope that during this 50th year we are able to increase the visibility of the school as we highlight its successes and challenges, and as we endorse its vision. Through this vision we must encourage the students, the parents and the teachers to reach for that common goal, as is set out in the school’s mission statement, to develop confident, ethical and well-rounded individuals who successfully shape an ever-changing environment.

“There must be a common understanding of that destination which allows all stakeholders to align their efforts in the same direction as we prepare the children of BAJS for the journey of life.”

Bishop Anstey Junior School was a creation of Arthur Henry Anstey. In 1966 the school moved from Chancery Lane to Monte Cristo. The 50th Anniversary Celebrations will be held at the Auditorium of Bishop Anstey/Trinity College East, Trincity.


A song for Patti

$
0
0

The recently departed Patti Rogers would have enjoyed the music tribute held in her memory last Sunday at Kaiso Blues Cafe. The event, held in a celebratory mood, was the brainchild of vocalist Candice Alcantara with much assistance from Carl Jacobs and Robin Foster of Kaiso Blues.

Among the audience in the packed Newtown showplace was Rogers’ mother Lorna, sister Denyse, daughter Latoya, relatives and friends and several singers and musicians. Some of the acts to grace the stage were Clive Zanda, Mavis John, John John, Michael “Ming” Low Chu Tung, Russell Durity, Llettesha Sylvester, Theron Shaw, Earl “Biter” Edwards, Dougie Redon and Alcantara.

One of the afternoon’s highlights was the surprise, impromptu appearance of Rogers’ mother as she joined Zanda’s ensemble to play a pair of maracas, her preferred instrument when she used to play with Robert Munro & Friends, for The Girl From Ipanema.

Originally intended to last three hours, until 4 pm, the artistes kept the musical tributes going until 6 pm, ended only to facilitate an 8 pm show featuring Chantal Esdelle & Moyenne. There was still a full house at that time.

 

Parang limes

Last weekend was a busy one for entertainment with Saturday night seeing the Parang & Pork affair at How’zat Sports Bar on Tragarete Road, Woodbrook, and the annual Christmas Street Lime at Cheers Pub in St James.

At the latter there was live entertainment by the versatile Love Bunch Parang Group, Pashphonics Steel Orchestra and Unity Tassa Band.

Saturday’s menu was also served with the premiere of the 26th installment of the annual Parang & Steel event, hosted by PCS Nitrogen Silver Stars at its Tragarete Road pan complex in Newtown. The fun-filled event featured Voces Jovenes, Kenny J, Debbie Nahous, DJ Kern Crosby and Silver Stars. The second show will be held tomorrow and will be headlined by La Divina Pastora and Ancil Valley.

Aside from the Patti Rogers’ tribute, Sunday’s agenda included the annual Parang Soca Luncheon, hosted by Paragon Sports & Cultural Club at its Cocorite clubhouse. Joining DJ Cardo to provide entertainment for a sold out crowd were Kenny J and Las Cantantes Festivos. Also taking place was Desperadoes’ Haiti Relief Drive at its Frederick Street panyard and the Christmas Tree Lighting Ceremony, held by the St James Community Improvement Committee at The Amphitheatre on Western Main Road.

 

Despers mas launch

This weekend will also be a busy one for Desperadoes as the defending National Panorama champion will hold its annual Children’s Christmas Treat, at its Pan Complex, at Upper Laventille Road, EDR, Laventille, from 1 pm tomorrow. Desperadoes is also holding its victory celebration and 2017 Carnival mas launch on Sunday, at 6 pm, on Frederick Street, Port-of-Spain and its special guests include Massy Trinidad All Stars, bpTT Renegades, Phase II Pan Groove and Valley Harps.

 

Zanda at The Jazz Studio tonight

Following a dynamic performance last Sunday at Kaiso Blues Cafe, Clive Zanda and his ensemble will close off the first quarter of KaiSoca@The Jazz Studio this evening at The Jazz Studio, 51 Cornelio Street, Woodbrook. Zanda has a couple new pieces and will be performing them with Russel Durity (bass); Richard Joseph (drums); and Douglas Redon (double second pans) when the show is staged at 7.30 pm, and reprised at 9 pm.

 

Upcoming events

This weekend promises to be just as hectic with many Christmas-related events planned as well as bits of Carnival 2017 activity. Tomorrow, at 5.30 pm, the Hillview College Spanish Club will stage Una Noche Navidena, featuring Los Tocadores, Los Alumnos de UWI, Sharlene Flores and more. It will be held at Hillview College Auditorium, located at the corner of El Dorado and College Roads, Tunapuna.

In preparation for next year’s Carnival, the Klassic Ruso calypso tent will holds its auditions tomorrow morning, at 9 am, at De Nu Pub (The Mas Camp), Woodbrook. Then, on Sunday morning, at the same time, Kalypso Revue, managed by Sugar Aloes, will hold its auditions, at the same time and venue. Calypso tent auditions will also be held by south’s Kaiso Showkase on Sunday, at the Wack Radio Conference Room, Coffee Street, San Fernando.

Also on Sunday evening, Bishop Anstey High School Choir hosts Carols Under the Stars, at BAHS Grounds, Abercromby Street, Port-of-Spain, at 6 pm. This show will showcase the BAHS Choir and Steel Ensemble, Holistic Music School Band, Voces Promosa, Danielle Williams and more.

 

National Senior Parang Festival finals tomorrow

After an absence of six years, the National Senior Parang Festival, produced by the National Parang Association of T&T (NPATT), made a triumphant return this year 2016. The season began with a pre-launch on October 8 which was free to the public at Parang headquarters. A festival show was held at Maracas/St Joseph Community Centre on Saturday, October 15 and the official launch took place at the Arima Velodrome on Friday, October 28, with the semi-finals on Friday, November 18, at the Palo Seco Velodrome, Palo Seco.

The grand finale of the 2016 Festival will take place tomorrow at the Arima Velodrome, Hollis Avenue, Arima, at 8 pm. Nine bands will face the judges on the night, performing three selections, the Annunciation (anunciacion) the birth (nacimiento) and a tune of choice.

The champions of the Secondary Schools Parang Festival will make a guest appearance, along with San Jose Serenaders.

The gates open at 6 pm.

 

Order of Appearance for the National Senior Parang Competition Finals: 1. Los Amigos Cantadores 2. Los Cantadores 3. La Familia de Carmona y Amigos 4. La Casa De Parranda 5. La Rueda de Agua 6. Los Buenos Parranderos 7. Renacer 8. Voces Jovenes 9. Voces de Promesa Lara Brothers tribute

In other parang news, through the efforts of NPATT founder Errol Mohammed, good Ole Time Parang lives again in honour of the late Willie and Tito Lara. Come Sunday, December 18, from 3 pm, a tribute to the Lara brothers will be held at the Arima New Government Scool, located on Buena Vista Boulevard, Arima. This event is made possible through the assistance of the Ministry of Community Development, Culture and the Arts.

Every performing band will be required to perform a song from The Lara Brothers’ repertoire. Among the bands performing are Flores de San Jose, Los Allegres Sindola, San Jose Serenaders, Los Amigos Cantadores, Amantes de Parranda, Alma Carrabino de Valencia and Ermesto Parranderos of Caracas.

Special presentations will be made to the widows of Willie and Tito Lara, and their children will read short biographies of the lives of these two icons in parang. A wide assortment of wild meat, pastelles, paymes, empanadas and other Christmas delicacies will be on sale.

Advanced tickets are going like hit pastelle at Michelle’s stores in Arima; Crosby’s, St James; and Mohammed All-Purpose Store, Santa Cruz. On the evening of the event, parang lovers have a chance to win a hamper, courtesy Carib and Arima Discount Mart.

Pan in danger, calypso in the city

$
0
0

Veteran pan musician Dane Gulston was one of the many outspoken members who told Pulse: “What Pan Trinbago has displayed to its membership is total disrespect.

“My main concern with the president and the executive is that in October he held a meeting and promised that the thousand-dollar payment to pan musicians was guaranteed. The promise was repeated in November but, up to December 28, there has not been a definite word from the president. I consider this gross disrespect. Musicians played their hearts out at Panorama after months of hard practice. Doesn’t that account for anything?”

Gulston said he intends filing a motion of no confidence in the Pan Trinbago executive.

Yesterday, Pan Trinbago Inc secretary Richard Forteau confirmed that his executive understands the ire of pan musicians and added:

“We feel at some point in time we have to get the pan people to sit down with us and let us talk some sense in the interest of the national instrument and Carnival. Today (Thursday), we intend meeting with the National Carnival Commission (NCC) chairman Kenny de Silva to try and find some common ground.

“The straw that really broke the camel’s back is that the steelbands who regsistered for Panorama 2017 received cheques issued by the NCC. This has them curious and suspicious of what is going on. Many of them feel that the movement is in danger and are calling for the departure of the executive.

“The pan people are feeling that the Government is playing games with the steelband movement. People are listening to things being said in the media.”

Forteau said that at present the composition of the NCC is uncertain and explained: “The NCC Act of 1991 states that you must have a member of the three main interest groups of Carnival, which are Pan Trinbago, Tuco and the National Carnival Bands Association (NCBA), on the NCC Board, but since December 4, the terms in office in the NCC of these special interest groups would have come to an end. The NCC also doesn’t have a CEO; Carnival is very near, but the NCC is operating without these principals functioning.”

Forteau added: “The membership on Sunday, October 28 passed a resolution calling on the State to make payments to the organisation on some outstanding matters. Since then, the minister made certain pronouncements about a month ago, and Pan Trinbago has communicated with her on five occasions. She has said she will meet with us in her time and that’s as far as it has gone.”

Next year’s National Panorama competition is scheduled to begin on January 11 with the preliminaries for Single Pan bands of Pan Trinbago’s Tobago Zone in their respective panyards. East Zone steelbands are supposed to be visited by the judges on January 12-14, followed by South Central on January 15-16, and the North Zone bands have their preliminaries nightly on January 17-23. Unlike previous years, all Single Pan bands will be judged in their panyards.

Yesterday, de Silva said: “The challenge is that all budgets for Carnival were cut by 25 per cent so everybody had to adjust. The NCC, in the interest of the special interest groups, disbursed directly to Pan Trinbago $5 million to pay the pan players. Apparently, they did not make the payments. When we realised that happened, the NCC board took a decision to pay the assistance to steelbands preparing for the 2017 Panorama competition, based on a list given to us by Pan Trinbago of bands that qualify for such assistance. We have made those payments directly to the respective bands.

“The situation right now that we are having a meeting with Pan Trinbago at 11 am today (Thursday) to determine the way forward for Pan Trinbago. We have met with Panvesco looking at a way forward, re: the auditing and sales of Panorama tickets, and those discussions are ongoing.”

De Silva added: “The NCC is is moving forward with prudent fiscal management of Carnival and we are also cognisant of the fact that the Pan Trinbago organisation is critical to the landscape of T&T.”

Although Trinbago Unified Calypsonians Organisation (Tuco) president Lutalo Masimba (Brother Resistance) disclosed this week that his organisation has received no funds as yet to run its four calypso tents and produce its 2017 calypso agenda, come Sunday, Carnival 2017 will get into full gear when Tuco holds its third annual Start de Carnival cooler party in the courtyard of the Grand Stand, Queen’s Park Savannah, Port-of-Spain. Admission is just a blue note and the fun is scheduled to begin at 4 pm when many of the popular calypsonians and a few steel orchestras will be on hand to perform their new music, until midnight.

Speaking of new music, I haven’t heard many of the potential Carnival selections but the few that I have heard have impressed me, like Alvin Daniel’s We Are The Conquerors. This will be the tune of choice for PCS Nitrogen Silver Stars. Also catching my interest is Peter Pan, the first ever pan calypso by triple-crown Chutney Soca Monarch KI. Many of the steelband arrangers already know what they will be going to Panorama 2017 with and a few bands are already rehearsing.
 

Christmas in the country

As far as my Christmas season is concerned, this year’s was different from any I have spent in recent times. On Christmas Day there was no ham, pastelles, egg nog, apples or grapes. Instead I had fresh papaw, portugal and other local fruit, and naan bread, sahena, sada and bhaigan choka. I was in the country, in the forest actually, and enjoyed what is considered a “traditional” country breakfast. Food had to be caught and Christmas lunch included curried duck, ‘gouti, lappe, creole fowl, basmatee rice and dhal. I learned how to pluck a duck, singe its feathers and bunjay its seasoning. After lunch, dessert included coconut ice cream, churned how grandma used to.

In the forest there is no electricity or Wi Fi and the only time I got any social network access was when we went to Sangre Grande to replenish supplies. The sounds of the night in the forest are scary enough to make you want to make a hasty return to the city. But it was one of the best Christmases I’ve spent—and who knows, I just may return next year.

We have made it to the final weekend of 2016. What a year it has been, fraught with tragedy and fiscal adjustments, but we bravely enter 2017 in the hope that the new year will be a much better 12 months.

Sadly, though, in the arts we lost several prominent cultural personalities, including Earl Crosby, King Austin, Joey Lewis, Todd Hill, Stephen Dereck, Arsenio “Senor” Gomez, Keith Carrington and Patti Rogers. Hope our treasured icons who are still here with us will be here this time next year.

As we venture into a new year, I wish all faithful Pulse readers a happy, healthy and prosperous new year. The radio stations have already switched to Carnival mode, the switch being made on Boxing Day.

I made somewhat of a blooper last week when I incorrectly stated that author Nasser Khan had written three books. His latest, History of West Indies Cricket Through Calypsoes, is in fact his tenth book. The auther, who is a columnist for the Trinidad Guardian, has also produced eight fruit and vegetable charts of T&T and the Caribbean.

CNC3 is ready for Carnival 2017

$
0
0

Whether you like fetes, fashion or old school calypso, CNC3, the television arm of Guardian Media Limited, is well prepared for Carnival 2017. Some of the special programmes the station has scheduled for the season are Vintage Unplugged, Front Row, Chutney Tamasha and The Rundown.

Front Row, which features Jyneen, Andrew Friday, Hypeman and Rawkus (Jayron Remy), and runs until March 2, premiered on January 5.

This year Front Row encompasses the vintage aspects of Carnival through calypso stories, backstage with our favourite soca artistes, fetes, fashion, the exploration of the soca genre as told through the eyes and ears of T&T’s top DJs, some bacchanal, Throwback Thursdays and of course mas on the road.

Last year’s series won acclaim as it also featured some top artistes like David Rudder and Relator, as well as some vintage acoustic guitar sessions that showcased retro artistes, the calypsoes and the stories behind the ditties.

Vintage Unplugged takes a glimpse into the history of T&T through music. It is scheduled to premiere on January 18.

The show displays the style, message and lyrical story-telling of music written and performed by legends of calypso. Viewers are entertained and educated by conversations with calypso icons.

Chutney Tamasha is hosted by hosted by singer Sally Sagram and calypso artiste Snakey (Heaven Charles). Producer Shamelia Thomas said: “Chutney Tamasha would be focused around the chutney and chutney soca industry. We would be going to all the chutney events, highlighting artistes and songs, as well as delve into the specific musical instruments of chutney music.”

One of its segments, The Hott Seat, includes the hosts asking artistes and producers the questions that most people shy away from. Thomas added: “This can be targeted at alcohol brands such as puncheon, rebranded ‘the truth seat’ or ‘the fire seat’.”

Other segments are titled Events, Chutney Juniors, Chutney Bands & Intsruments, Food and Old School Artistes. About Events, Thomas explained,” we will go to all the major chutney events, bring you all the vibes, interview the promoters and patrons of the events.”

Chutney Juniors looks at the junior chutney monarch as well as any school competitions. For Chutney Bands & Instruments CNC3 will be focusing on the live bands and the instruments they use. In the Food segment, focus is on the spices used in Indian dishes, as well as look at production of these spices.

The Old School Artistes segment would revisit chutney artistes of the past, both living and dead.

Said Thomas: “Some ideas were thrown around for hosts and I eventually made the decision that Sally Sagram, because of her sassiness, and Snakey (Heaven Charles), because of his comedic and outgoing nature, as well as his immersion in the chutney culture, although of African descent, would make the perfect pairing for hosts.”

CNC3 developed Chutney Tamasha because there is a paucity of coverage of East Indian Carnival elements in our culture. Elaborating, Thomas said: “Focus is usually on mainstream fetes and events, and CNC3 wished to fill that gap and highlight the all inclusiveness of the cultural experience that is Trinidad and Tobago Carnival.”

Start de Carnival

$
0
0

Carnival 2017 began with a blast on Sunday when Trinbago Unified Calypsonians Organisation (Tuco) staged Start de Carnival at The Courtyard of the Grand Stand, Queen’s Park Savannah, Port-of-Spain. Attended by a small but lively and energetic crowd, patrons were treated to some good music, beginning with Point Fortin Iron Giants rhythm section.

Newtown Playboyz upped the tempo with an infectious session, performing a set which included a number of popular vintage selections.

They were followed by the evening’s surprise pick, the T&T Prisons Services Band. This aggregation can hold its own in the company of established carnival fete bands.

Lead singer Marlon Jack is a new find and belted out a mix of soca ditties. His other singing comrades, Edwin Granger, Darren Greenidge, Jenelle Beach and Nicola Goodridge, also kept patrons on their feet, many of them flocking to the apron of the stage.

Prison Officer II Ricardo Hassanali is the band’s director and he told Pulse that the band has been in existence since 1978. He said: “Our repertoire covers a wide range of genres and we have played at all major national events, as well as all tattoos, military and conventional.

The band has performed in England and Barbados and we are the only prison servives band in the Western Hemisphere and in the Commonwealth.”

Allowed to perform publicly, upon permission from the Prison Commissioner, this band is excellent playing any kind of music and got patrons dancing when it played favourites like Joey Lewis’ Bound to Dance.

Between live acts, DJs Mr Desmond and Kabuki kept patrons well entertained with a mix of popular soca items from last year and some new ditties for 2017. By the number of times it was played, Peter Ram’s Good Morning seemed to be the most popular song for the DJs.

This song is said to be one of the popular selections for Panorama 2017 and is expected to be the tune of choice for defending national champion Desperadoes and bpTT Renegades.

Led by Raymond Ramnarine, Dil-e-Nadan continues to show its class as one of the country’s leading crossover bands, as was evident when they performed at Start de Carnival at the Savannah.

Ramnarine’s co-vocalists, former Young Kings Monarch Stephen Marcelle, Tony Prescott and soca newbie Renuka Mahabir, gave patrons much more than the $100 admission fee was worth. Most patrons were pleasantly surprised when Dil-e-Nadan departed from its carnival script to slip into a disco segment.

Marcelle kept folks dancing with his cover of Michael Jackson’s Rock With You, and the band’s Electric Slide was endorsed by full audience participation. Rivalry was keen between Tuco’s North and South Central regions as both mounted well-appointed booths of calypso memorabilia, including jerseys and photos.

The National Alcohol and Drug Abuse Prevention Programme (Nadapp) also administered an information booth, the first in a series of exhbitions to heighten awareness to the danger of alcohol and drug abuse over the Carnival season.

As it began at 4 pm on a high note, so did Start de Carnival end at midnight.

 

Panorama prelims to begin

In other Carnival 2017 news, the National Panorama competition is scheduled to begin next week Wednesday with Pan Trinbago’s Tobago Zone staging its prelimary for Single Pan steel orchestras. Preliminary competition for this category continues nightly until January 17 and shall be conducted at respective panyards.

Pulse has heard a few more Panorama selections and among those to catch my fancy are When Steel Talks and Gee Gee Ree (Crazy); We Are the Conquerors and Pan Kingdom (Anslem Douglas); Asami (Derrick Seales); Rhythm Run Things (Kernal Roberts); and Champion (De Original De Fosto Himself).

 

Panorama on—with or without Pan Trinbago

As far as Panorama is concerned, despite being mired in controversy, there is some good news. In an interview on Wednesday, the National Carnival Commission (NCC) chairman Kenny De Silva pledged that the competition will be staged, with or without Pan Trinbago Inc. In an earlier interview with Pulse, De Silva said, “We (NCC) are also cognisant of the fact that the Pan Trinbago organisation (and Panorama) is critical to the landscape of T&T.”

In response to calls to Pan Trinbago Inc president Keith Diaz and his executive to demit office, the organisation is inviting all member bands to an Emergency General Meeting tomorrow, at The Grand Stand, at 1 pm. Discussion will be on this year’s National Panorama competition and a report to membership. Two authorised delegates will allowed to attend and participate at the meeting.

Bands therefore wishing to change their present delegates filed with Pan Trinbago Inc shall be required to do so by filling out the necessary documents indicating the band’s new delegates. Members are asked to make every effort to attend this important meeting at which pertinent issues will be addressed and consensus arrived at on decisions taken.

The meeting will be convened by Richard Forteau, secretary.

 

Magnificent Glow in Tobago

Apparently less tempestuous, calypso is scheduled to get going on January 21 in Tobago with the opening of Tuco Tobago Zone’s Magnificent Glow calypso tent. Up to press time, however, organisers were yet to identify a location for the tent.

Calypso crosses water the following evening when Tuco North Zone holds a San Fernando premiere of Kaiso House at the Southern Academy for the Performing Arts (Sapa), located at the corner of Todd Street and Rienzi Kirton Highway, San Fernando.

This year, the home base of Kaiso House will be pitched at a new venue. Housed in the Queen’s Park Savannah for years, the tent will now operate out of Globe Cinema, Park Street, Port-of-Spain. Its cast is again a star-studded one and features a mix of past monarchs and newcomers, including Twiggy, the first ever NWAC Calypso Queen, Duane O’Connor, Karene Asche, Mr Chuck, Singing Sandra and Gypsy. Also on the cast are Poser, Brother Mudada, Explainer, Black Sage, Mistah Shak and Brother Resistance. Kaiso House will have its Port-of-Spain premiere on Wednesday, February 1.

Tuco’s Klassic Ruso, which fields stars like All Rounder, Crazy, Contender, Typher, Lady Wonder and Shirlaine Hendrickson, will open its door at Port-of-Spain City Hall on January 26. Kalypso Revue, headed by Sugar Aloes and including defending National Calypso Monarch Devon Seale, recently crowned Nation Building Calypso Monarch Skatie and Chalkdust, will hold its traditional premiere at Arima Veldrome on Friday, January 27.

So, with most systems in place, Carnival 2017 looks as though it will be a bumper one with thousands of visitors expected to arrive on our shores from as early as the end of this month.

Remembering Anand Yankarran

$
0
0

The new year opened with sad news with the death of iconic chutney performer Anand Yankarran. Having survived a stroke in 2008, Yankarran, 51, eventually succumbed to a stroke at Couva District Health Facility. He was cremated on January 5 at the Waterloo Cremation Site following a funeral service at Anand Yankarran Drive Extension, Exchange Housing Development, Couva.

Yankarran will be remembered for a long time, especially for many of his hits, including Nanda Baba, Malineya, Humsa Bolaway, Laylo Laylo, Zindabad Trinbago, Gunguroo Bajay, Indra Puri Say, Soch Samajh Abhiman, Ranga Dall, Bola Baba, Kya Kar Mai and Janay Maha. Nanda Baba is the hit Yankarran will be best remembered for, a ditty he performed in 1989. He also gained national prominence when television viewers warmed to his rendition of Zindabad Trinidad on a Stag commercial.

On Thursday, on his way to Yankarran’s funeral, Akash Vani presenter and Chutney Soca Monarch Rikki Jai said: “Anand Yankarran was to me a friend, a brother, and a mentor in music and life. There were many champions in chutney but there was only one chutney king and that king was Anand Yankarran.”

Ravi ji, former head of the Hindu Prachar Kendra, was high in praise of Yankarran and said: “Anand came from this illustrious Yankarran family. This does not just mean a family that knows classical Indian singing but they each possessed great voices. Voice hallmarked the Yankarran family.

“Anand was one of the youngest ones so he entered the scene pretty late and did so in an era when there were changes taking place in Indo-Caribbean music. One of the signal aspects to be remembered is the song Kanhaiya. It became a very popular advertisement. His song and type of singing became mainstream and he dragged with him the wider appeal of the music.

“Anand also came at a time when our local Indo-Caribbean music began getting opportunities outside of Trinidad. This is the era of Indo Caribbean music that made it international, competing in the Carnival space, and creating a wider acceptance across all ethnic lines.

“Anand Yankarran was a trailblazer and to him all credit is due. He wasn’t a trailblazer because he was singing something new, but, it was his own particular brand and voice that helped internationalise and broaden the music.”

Southex CEO George Singh was effusive in his praise of Yankarran. He said: “I was 25 when Anand Yankarran sang Nanda Baba. Then I had not even thought of the idea of the Chutney Soca Monarch competition; that was still six years away from coming to the forefront. When one considers that 28 years later how much of Yankarran’s music has shaped the landscape of what chutney and chutney soca music is today, he can only be described as ‘phenomenal’.

“Anand Yankarran is the son of Isaac Yankarran and I don’t hesitate to refer to his family as ‘the first family of chutney music’. You have their father Isaac, his brother Rakesh, referred to as ‘the Raja of chutney’, his sister Sureka, and Surindra, another brother. That family has given birth to a third generation of Yankarrans and today you have young singers like Ambika Yankarran, his neice, and Ruben, Sureka’s son, who has entered this year’s Chutney Soca Monarch competition for the first time at the age of 23.”

Singh continued: “When Anand performed on the Chutney Soca Monarch stage in 2014, doing Pak Pak, a duet with Rikki Jai, it was one of the highlights of the production. He is also someone who has been guided in life by musicologist Mungal Patasar and the late Mohan Jaikaran who produced a lot of his music; two men I have very great respect for.

“His passing is a great loss to Trinidad and Tobago. However today, our culture is richer because of men like Anand Yankarran. He and his music will live on forever in our hearts and on the airwaves.”

Veerandra Persad, leader of 3Veni and manager of KI and The Band, said: “Anand Yankarran was a legend and was responsible for the collaborations with 3Veni, now KI and The Band and JMC Ent In New York, with Mohan Jaikaran in 1992, I had the opportunity to produce an album for Anand named Soca Beta which was financed by JMC. And after that, it was history touring North America, Europe and Guyana with Anand. We have had a great journey together with lots of great moments. At that time KI was a kid on stage with me most times.”

Other glowing tributes came for Yankarran from several politicians, prominent citizens and distinguished organisations like the National Council of Indian Culture (NCIC) and the Rajkumari Centre for Indo-Caribbean Culture (RCC) in New York City.

The son of famous local Indian musician Isaac Yankarran and brother of Rakesh, Yankarran was somewhat of a child prodigy as at the age of ten he was already leader of the Waterloo Hindu School choir, which won a Divali singing competition. He studied music theory with musicians Bansraj Ramkissoon, Mungal Patasar, Pradip Shankar, Sunil Verma and Kavita Verma and was taught the harmonium by Rakesh Yankarran. He also played the dholak, tabla, and sitar.

The last time Yankarran performed was at the finals of the 2014 National Chutney Soca Monarch competition.

$m prize cut, one song alone: Big changes for Dimanche Gras

$
0
0

There will be no million dollar first prize for the winner of this year’s National Calypso Monarch competition and competitors can only sing one song for Dimanche Gras.

These were among the changes approved on Saturday, at an extraordinary meeting of Trinbago Unified Calypsonians Organisation (Tuco).

The meeting, which was chaired by Tuco’s president Lutalo Masimba (Brother Resistance), voted to reduce expenditure across the board. The first prize for the 2017 Calypso Monarch will now be $800,000.

The decision is in keeping with a 25 per cent cut to allocations to all Carnival special interest groups.

The meeting, held at the National Carnival Commission VIP room, Grand Stand, Queen’s Park Savannah, Port-of-Spain, attracted the largest turnout of calypsonians to a meeting in recent years.

At the meeting it was also agreed that the prize structure of different calypso competitions will be discussed and developed by the organisation’s general council.

Masimba urged calypso tent owners/managers to be mindful of the cuts in allocation when seeking corporate sponsorship and engaging service providers. It is expected that calypsonians will also get a cut in salary at all calypso tents.

Several other significant changes were made to the national calypso competition. Instead of eight bards being selected to face the defending monarch, 15 will be chosen to sing one selection instead of the traditional two.

Another change is that the “aggregate” method of judging, the panel comprising seven adjudicators, will be adopted this year. This replaces the “specialists system” which was utilised for the past five years, requiring 15 judges.

Masimba also announced that a category final will be held, comprising Political, Social and Humourous calypsoes, with winners of each receiving $25,000 instead of the $50,000 in years past.

Breaking away from the tradition of a calypsonian “dropping a bomb” on the night of final competition with a new, unheard song, the calypso registered for the Monarch competition by the competitor will be the only calypso that will be recognised for the competition.

This also means that calypsonians whose songs did not find favour with the judges for the Skinner Park semi-final will not be permitted to perform new songs in the unattached eliminations competitions.

Saturday’s meeting was described as well-disciplined and organised one with members, especially Garth St Clair, Duane O’Connor, Bally, Brother J, King Soul and Mac, making valuable contributions from the floor.

Masimba told the gathering that one of Tuco’s prime objectives is to make the organisation entirely independent.

Mindful of the responsibilities of Pan Trinbago and the National Carnival Bands Association (NCBA) now being assumed by the National Carnival Commission (NCC) in running Carnival competitions, he urged the membership to work towards Tuco staging its own competitions and events without any external assistance from the Government.

After the meeting Tuco’s PRO Ras Kommanda (Steve Pascall) told the T&T Guardian: “The executive would like to thank the entire membership for the mature manner in which all these important decisions were made and to ensure them that despite whatever adversity that may confront us we are quite capable to handle the challenges.”

Whither goes Dimanche Gras?

$
0
0

Carnival Sunday night, specifically Dimanche Gras at the Queen’s Park Savannah, has been a continuing challenge to successive organisations and producers. Among its challenges has been the length of the production, in recent times the show lasting well beyond six hours. A new concern is the change in the rules of the National Calypso Monarch competition which mandates that finalists sing one song, as opposed to two in previous years.

The fact of the matter is that attendance at Dimanche Gras has significantly diminished through the years with two of the three basic components (mas and pan) of the national festival crowning their champions before Carnival Sunday night, leaving the crowning of the national calypso monarch as the main item on Carnival Sunday night. Patronage has shrunk so much that the North Stand is no longer used on Carnival Sunday night. This edifice was immortalised in song in Brother Mudada’s classic hit of 1978 – The North Stand.

Dimanche Gras producer for the past three years, Carl “Beaver” Henderson, thinks that Dimanche Gras is still relevant to T&T Carnival, but it requires cohesion between all of the festival’s special interest groups, including Pan Trinbago, Trinbago Unified Calypsonians Organisation (Tuco) and the National Carnival Bands Association (NCBA). He said: “Dimanche Gras on a Carnival Sunday night is relevant primarily because of tradition—but the show has not adapted to the times.

Times and tastes have changed

“Dimanche Gras in the past was actually similar to what Champs in Concert has developed into over the years. Traditionally, the show was five to six hours long and people were cool with that, as there were no other fringe events leading up to Carnival Monday. But times—and people’s tastes—have changed. An ideal show in today’s world should last no more than two to three hours.”

Henderson said the desire to own a piece of the pie has been diminishing the essence of Dimanche Gras and Carnival. He said: “Since I did the first Dimanche Gras production, I have been asking the stakeholders of the event what this show should be—and up to today I am yet to get consensus from the supposed thinkers, planners and people involved in Carnival about how they believe this product should be. Everybody has their own idea of what Dimanche Gras should be.

“Some people say that we should return to basics, to tradition, and when I go back to that, I come up with Jaycees Carnival Queen Show of the 1950s and early sixties. That is being retrograde in today’s world.

“The three elements—mas, pan, calypso—that make up our Carnival, no longer coexist, sharing one vision. They exist as individual entities. Traditionally they had a winning formula and they must now come together and be on the same page moving forward with Carnival Sunday night and the entire Carnival product.

“Among changes is that the interest groups try to seek their own particular interests, pursuing their own agenda. Years ago, Dimanche Gras was a final for everybody, whether pan, mas or calypso, so the public came to see and enjoy that.”

Henderson believes that the production can be salvaged and returned to its former prestige. “To restore the kind of attractiveness this product had in previous years,” he said, “there is a need to harness and present all the elements of Carnival in one spectacular show.

“The ideal situation entails doing away with competition amongst the professional arts. Ideally, in today’s world, Dimanche Gras should really be about the stars of the festival all performing on one stage, on one night; no competition.”

Island People founder and entertainment specialist Derrick Lewis is also a past Dimanche Gras producer. He said: “Dimanche Gras is relevant to T&T Carnival but not in its present form. This production needs to be developed along the lines of a carnival cabaret.

“It is relevant as an iconic Carnival signal event. There is need for a signature Carnival event. Without a

crown, a king is not a king. Something is needed to crown the Carnival, and Dimanche Gras provides this.

“Ideally, Dimanche Gras should be an explosive, two-hour showcase of who and what we are artistically, as it relates to us being a ‘carnival people’.”

Less finalists, better production needed

Guardian Features Editor Franka Philip threw in her two cents’ worth on this debate by saying: “We just cannot continue to run these shows and competitions in a parochial fashion. We have to look to international standards. After all, we laud programmes like the finals of The Voice and America’s Got Talent for their production value. Rather than having more finalists, we should be reducing the numbers of qualifiers and working with a proper production team and production values to produce a top class show that can be exported and sold internationally.

“Sixteen finalists is already setting you up for a three-hour show, plus guests and other items that will make it even longer. We need to begin producing compabt shows that will continue to hold the interest of people.”

Calypsonians too bitter, divisive

Roland St George, the National King of Carnival for 2012 and 2015, and leader of We Krewe carnival band, is heartbroken by the lack of interest Dimanche Gras generates. He said: “Dimanche Gras is very relevant to T&T Carnival, and ought to be. This is an intrinsic part of our national culture and belongs to all of the special interest groups.

“Having being given the mantle to run Dimanche Gras, Tuco refused to share with the other two special groups. Dimanche Gras has lost its lustre as there is no longer any mas or pan competition in the Savannah on Carnival Sunday night. Dimanche Gras is now about calypsonians who bash everybody whom they disfavour. Look at Kaiso Fiesta in Skinner Park—if your calypso isn’t bashing some politican or political party, the artiste is booed or pelted off the stage. This kind of behaviour doesn’t lift an art form. It merely makes it a pappyshow.

“In this day and age, with so much social media, PR and spin doctors, we need to find some remedy to restore some brilliance to the Dimanche Gras production. The foreigners to our shores don’t want to hear anything about Trinidad and Tobago politics.

“When I won my two titles I paraded in front of an empty Grand Stand and North Stand. What kind of glory is that for a King of Carnival who has put in 40 years of his life, his own money, his time and creativity into T&T Carnival, contributing to my culture?”

Multiple National Calypso Monarch finalist and former monarch Sugar Aloes (Michael Osouna) is a staunch believer in Dimanche Gras and the crowning of a new national calypso monarch on Carnival Sunday night. He said: “Yes, Dimanche Gras is relevant to our Carnival because it is the source of the entire festival. That is the winding down to the season before the explosion of music and colour on Monday.

“In the early days, it was straight into J’Ouvert after Dimanche Gras, once the results were announced for pan, calypso and mas. Dimanche Gras is probably the most significant part of T&T Carnival.”

Sparrow: Life is change

Speaking from his New York residence this week, Calypso King of the World Mighty Sparrow (Slinger Francisco) said that he was not unduly worried by the changes in the calypso competition. He said: “Nothing stays the same forever; in life there is always change. The majority rules and the majority took a decision at the meeting that was held by the calypsonians. As long as the majority of calypsonians agree to these changes, I will be there to urge them on.

“Dimanche Gras is still relevant to Carnival. We now have to see if there are any other changes that will come up at the last minute. I would like to be there to see it.”

Acclaimed music writer Nigel Campbell suggested that the Dimanche Gras package is in need of some forward thinking innovations to make the show more appealing to the public. He said: “The fall away in attendance at Dimanche Gras has to do in part with the lack of entertainment value in the production and performance. Our singers aren’t singing well, especially in live performances. Song structures are not innovative.

“Audiences have become accustomed to higher standards of entertainment based on what they are seeing on television or what they remembered from the masters in calypso, like Sparrow, Black Stalin, David Rudder and Kitchener.

”Plus, there are alterantives on Carnival Sunday night that are more entertaining to the wider public and the visitors from overseas.“

Up to press time, Henderson wasn’t informed whether he would be producing this year’s Dimanche Gras. However, he does have some ideas that he hopes will be implemented for 2017. Said Henderson: “The calypso element of Dimanche Gras has to be reduced. In the area of productiion time calypso alone occupied four hours of the show. Ideally, the calypso segment should be further reduced to last no more than two hours and leave room for mas and pan for another 90 mins maximum. That is the ideal sitiuation but change does not come overnight and one needs time for change.”


The killing of the Flamenco Dancer

$
0
0

Last month Anthony Maillard launched his book, The Killing of the Flamenco Dancer, at The Big Black Box on Murray Street, Woodbrook.

The launch was a unique experience as the author transformed the venue into a Spanish-style café and enlisted the services of many local artisans to re-enact several passages of his book. Among his guests were acoustic guitarist John Hussain, Nikolai Salcedo, dancer Nalini Akal, comedienne Philo and parang group Los Hombres Sexuales.

Maillard is a writer, photographer and musician. His third book, The Killing of the Flamenco Dancer, is a fictional love story based in Boston, Massachusetts.

Once again, he displays his ability to document the emotion of his characters with intense dialogue and detailed narrative, producing a provocatively-sensual romance novel.

He is also the author of (Not So Idle) Thoughts and Questions, Third World Café, and If Yuh Int’rested, published in Total Caribbean News magazine.

Married and the father of three children, Maillard is currently managing director of a company which provides service and support to the financial sector through the Caribbean.

He spent the last 14 years in Trinidad having resided in Canada previously. He also worked with a prominent bank as an IT specialist.

“Writing has always been a positive pastime for me,” said Maillard.

“I love writing poems and short stories. Writing a 39-chapter novel was certainly a challenge. It started as a short story; however, the characters were so complex... I just kept writing to see how they would grow and where they would end.”

Maillard continued: “The Killing of the Flamenco Dancer is my third book.

“My first—(Not So Idle) Thoughts and Questions—is a compilation of self-penned mind-tickling quotations on subjects such as Fear, Ego, Life, Relationships, Children, God, and Work, to name a few.

“The book challenges the stereotypical view of today’s society and entices the reader to embrace ‘The Love System.’ Over 40 photographs accompany the text and help bring a sense of realism to the quotations.

“The Killing of the Flamenco Dancer is a story about strangers who meet and ‘fall in love’ overnight. Today, it is common that people become blinded by passion, establish relationships and sometimes get married to someone who they think they know—only to have their worlds collide several months or years later.”

He added: “This book is about two ‘opposites’ who are physically attracted to each other. One is a marketing executive, the other a struggling artist.

“Marísa Conchita Arelis Villanueva was born in Alcobendas, Spain, drives a Mercedes Benz and theoretically has her pick of any man in Boston.

“Reginald Stanfield hails from the Bahamas, and is a divorcee and father of one girl. He strives to ‘make it’ in the art world. Their desire to find love while fulfilling their sexual fantasies ignites their passion over the next three months when their world implodes.

“As Marísa and Reggie set out on this collision course of a tangled love affair and an upcoming art exhibition due to open in three months, they face tough challenges that will test their relationship. Can love and passion save them?”

Once a resident of Diego Martin, Maillard and his family moved to the east. He explained: “Diego Martin was too noisy for me upon my return, so we found a quiet spot out in Arouca.”

So, what does an author do in his spare time? Maillard replied: “I am an avid musician, music collector and photographer. I play the flute and sax and led my own band in western Canada.

“I had the privilege of leading the back-up band for Crazy and Baron on several occasions.

“Since returning to Trinidad, I’ve been low-key as far as the music is concerned.

“I arranged for a small steelband in my first year but that proved to be too stressful. I played with the Latin Band Pal Destino for a while and I now spend more time with my family and writing, while I play flute in a parang band, Los Hombres.”

Much more than Soka in Moka

$
0
0

It’s rare to witness a band receive an encore at the end of a Carnival fete performance, but that is what happened when Dil-e-Nadan performed last Sunday at Trinity College’s Soka in Moka. The popular crossover band treated patrons to a crisp, com­pact set, mixing Carnival 2017 hot picks with retro calypso and soca, and even a bit of Joey Lewis. The band’s horn section was also on top of its game throughout.

Dil-e-Nadan’s performance was more entertaining than its previous showing at Tuco’s Start De Carnival cooler fete at Queen’s Park Savan­nah.

Attended by a seemingly larger crowd than last year’s fete, Soka in Moka was a well produced event held to raise funds for the Maraval school. Its organisers must be commended for the layout of the food and drinks stalls, the efficiency of its clean up crew, and the well appointed toilet facilities installed. I must mention the oyster man, annually the most popular stall in this fete, its produce always the first to run out.

DJ Alicia D Duchess set the mood for the evening with a delightful mix of music as the sun slowly descend­ed into the western horizon. Later in the evening she was joined by DJ Private Ryan who continued in the same vein. At exactly 6 pm, party hosts JW and Nikki Crosby intro­duced 3Canal and Cut+Clear Crew, the first live act.

Following 3Canal’s set and a DJ interlude, Dil-e-Nadan was in­troduced, frontlined by Raymond Ramnarine, Derrick Seales, Stephen Marcelle and Renuka Mahabir. The band used one guest artiste, Barbadi­an Marz Ville, singing Bam Bam. The band’s impactful interpretation of Ultimate Rejects’ Full Extreme truly fired up the crowd and this prompted the encore, the band obliging before making its final exit.

Debutante to Soka in Moka, The A Team, was up next. Not as powerful in sound as Dil-e-Nadan, the group held its own. Fronted by veteran Ed­die Charles, the A Team brought its A game to the house in the form of guest vocalists Olatunji and Shal Marshall.

Soka in Moka was attended by sev­eral well known faces, including Sha­ron Rowley, Brian Lara, Carlos John, Ian Garcia, retired Brig General Carl Alfonso, Michael Seales, Francesca Hawkins, Ira Mathur, Wendy Lewis, Lutalo Masimba and Cecilia Salazar.

Bringing the curtain down on Soka in Moka with an extended set was Roy Cape All Stars, featuring Blaxx, Ricardo Drue and Tizzy. The band opened its performance by screening a video of its founder Roy Cape. Ac­commodating as many guest artistes as it did, the performance by the All Stars was a varied one, ever-chang­ing in flow and impact.

Its cast of guest artistes included reigning International Soca Mon­arch Voice, Ella Andall and Devon Matthews, Destra, Orlando Octave, Farmer Nappy, Lyrikal, Rupee and Linky First.

The Soka in Moka organising com­mittee must be emboldened to host the 19th edition in 2018, especially for the professional manner in which they produced Sunday’s affair.

Panorama begins tonight
Jah Roots will be the first south-based band to be judged, as the Na­tional Panorama Single Pan Band preliminaries begin tonight in pa­nyards in the South Central Region of Pan Trinbago. Playing the band’s arrangement of Kitchener’s 67, Jah Roots, which hails from Ernest Gar­dens, Warden Road, Point Fortin, is led by patriarch Jessy Lessey.

Nine bands are listed in this re­gion and will be judged before a four-person panel at their respec­tive panyards, with four facing the judges tonight and the next five to­morrow, Saturday January 21. To­night, following Jah Roots will be La Romaine Super Vibes, Highlighters and Shades In Steel.
The five bands listed to perform tomorrow night are Rio Claro Ko­skeros, Kings Row Retro Riddum, Edinburgh 500 Steel Ensemble, New Age Trendsetters and Pan Angels.

Tonight’s competition will begin at 7 pm, while tomorrow’s starts at 2 pm.

The competition continues on Sunday and Monday in the Eastern Region from 3 pm. Nineteen steelbands affiliated to the Eastern Region will be judged, with last year’s joint winner, Marsicans, playing at number 10. Trinidad East Side Symphony will perform in the last spot on Monday night.

First off the starting block on Sunday at 3 pm is North Eastern All Stars of Valencia. The band is under the baton of Leston Paul and their tune of choice is Melosian Rhapsody, composed by Winsford “Joker” Devine and sung by The Baron.

The judging process will take place over two days with the first 12 bands being judged on Sunday and the remaining seven on Monday, beginning at 6.30 pm.

Among the bands being judged on Sunday are Star Sapphire, Brazil RX4, Trinidad Nostalgic and Arima All Stars. Monday’s line-up includes T&T Prison Service, Pan Jammers, Chord Masters, San Juan All Stars and Platinum, the only all-female orchestra in the competition.

North Zone Single Pan steelbands will have their turn to impress the judges on January 24-26 in their panyards.

The National Action Cultural (NACC) will hold the 2017 Young Kings Calypso Monarch Final on Monday, February 6, at the Grand Stand, Queen’s Park Savannah, at 7 pm. The final is expected to be a very keenly contested affair as amongst the qualifiers are a number of young but experienced and seasoned calypsonians, including Aaron Duncan, Devon Matthews, Jadee, Fireball, Mark Eastman, Mr King and Orlando Octave. Also in the fray are Calypso Prince, Dr Will B, Mba, Sheldon Nugget and St Nick.

Duncan has won every title possible in the junior calypso competitions, while Matthews has been a favourite at the carnival fetes with his hit D Journey. The same can be said of Octave. Mr King, the son of the late King Austin, has a beautiful song titled Legacy Music. Also a finalist in the recently held Stars of Tomorrow, Eastman, who goes by the catchy monicker of Ladies Man, has been turning heads with Trinidad Wake Up. Showtime is 7 pm.

One week later, on Monday, February 13, the National Women’s Action Committee (NWAC) will hold this year’s National Queen Final at Queen’s Hall, St Ann’s, at 7.30 pm. With 20 qualifiers in the final, this competition is also expected to be action-filled.

Among those making the cut are Sexy Suzie and Alana Sinnette of Kalypso Revue, Spicey of Kaiso House, and Stacey Sobers from the all-female Divas International Cabaret calypso tent. Other familiar names are Terri Lyons, Eunice Peters, Georgia Mc Intyre, Jermeeka Mundy, Lesley Ann Ellis, Makeda Darius, Sasha Ann Moses and Malaika Ballantyne, daughter of prolific composer and past humorous calypso monarch GB.

FINALISTS
YOUNG KINGS MONARCH FINALISTS:

Aaron Duncan—A Youth’s Pledge
Banjela (Addelon Braveboy)—Wind of Change
Calypso Prince (Henson Wright)—Belt Tightening
Dale Ryan—Last One
Devon Matthews—D Journey
Dilly Suede (Dillon Thomas)—Doh Take Dem Back
Dr Will B (William Bannister)—Power to the People
Ezekiel Yorke—The Upholder
Fireball (Rohan Richards)—Calypso Music
Jadee (Jerry Dane Sellier)—Play Nice
KC (Kyle Cowie)—Hail the Chief
Ladies Man (Mark Eastman)—Trinidad Wake Up
Marlon Edwards—We Need Love
Mba (Gary Thomasos)—Look in the Mirror
Mr King (Marvin Lewis)—Legacy Music
Nicholas Ashby—Ancestors’ Freedom Prayer
Orlando Octave—Single
Sekon Alves—Trinbago Forever
Sheldon Nugget (Sheldon Bullen)—Voices from Beyond
St. Nick (Nicklas Gosine)—It Ain’t Right

NATIONAL CALYPSO QUEEN FINALISTS:
Alana Sinnette—Skeletons
Allison Bernard (Warrior Empress)—True Honour
Eunice Peters—A Country to Rebuild
Fabikur Fraser—Civilised
Genisa St. Hillaire—Market Place
Georgia Mc Intyre—We Can’t Afford to Stop
Giselle Fraser-Washington—The Argument
Jermeeka Mundy—Prisoner
Kerice Pascall—The Black Equation
Kerine Williams-Figaro—Fight for Black Power
Lesley Ann Ellis—Social Jammer
Makeda Darius—Baptism
Malaika Ballantyne—Calypso and Country
Morisha Ransome—Chief Servant
Natasha Nurse (Sexy Suzie)—Negative Progress
Sasha Ann Moses—The Main Witness
Stacey Sobers—A People of Substance
Tammico Moore (Spicey)—Missing You
Terri Lyons—The Unfortunate Phrase
Wendy Garrick—Fly Trinbago
 

Jason Peru—A man for all tastes

$
0
0

He is 31 years old but he has already travelled the world cooking for some of the best known actors and personalities on the planet. Now, Santa Cruz resident Jason Peru is keen on making his mark on the chutney soca stage. A semifinalist in this weekend’s Chtuney Soca Monarch semifinals, to be held at LIV Nightclub in South Trinidad, Peru is hoping that the judges and people love his single, Rice.

Peru graduated from the T&T Hospitality & Tourism Institute (TTHTI ) in 2004 with his Associate In Sciences Degree in Culinary Management. He was awarded three scholarships to attend Johnson & Wales University in Miami to pursue his education further. It was there he attained his Associate Degree in Culinary Arts and his Bachelors in Sciences Degree in Culinary Arts. He graduated with Golden Quill Honours and maintained Dean’s List Honours throughout his tenure at Johnson & Wales University.

While attending university, Peru worked at The Mandarin Oriental Hotel, Miami as a hot line chef. He was then offered a Chef De Partie position at The Celebrity Famed Restaurant, Karu & Y Lounge Miami. It was there he worked with his mentor, Chef Alberto Cabrera, where they catered to such stars as P Diddy, Shaquille O’Neil , Gloria Estefan, Al Pacino and Jennifer Lopez, to name a few. Peru also managed to work part time as a personal chef for clients and also a sauté chef in Pompano Beach Florida.

“Primarily, I am a travelling and television chef which takes me across the globe,” said Peru this week. “However, at the end of the day, singing also helps my brand as a chef, as it helps me that when I travel to do my cooking, I am able to represent music also, as people see me as not just a chef but a bona fide, all-round entertainer. In any good gathering, good food is always coupled with good music.”

On his return home from the US, Peru was offered a contract to work on the ICC Tournament as a catering supervisor. After a short stint there he was offered a sous chef position at The Jaffa Restaurant at the Oval under JKP Investments. However it was in July 2007 that TTHTI approached Jason with the position of Chef Lecturer of the Culinary Department.

He said: “I spent a total of seven years at this position and, after training over 3,000 students, I moved onto his own path of entrepreneurship. I am currently still involved in lecturing at many culinary seminars and culinary educational institutes.” Peru is also a private culinary consultant and contractual culinary facilitator for private events and a personal chef. In addition to this, he has travelled quite extensively.

He returned from an “ambassadorial” trip to London, Dubai and Africa—in Uganda he was invited by the high commissioner to that part of the world to participate in a TNT Food Festival.

Peru has also been no stranger to the TV media where he constantly partakes in live cooking shows and guest appearances on many culinary related television segments, both locally and internationally.

With a resume that reads like an adventure story, Peru was added to the selective chef cast of the Taste Cooking franchise show on CNC3, a member of the Guardian Media Limited, as one of their television chefs for the past five seasons, which has been a huge success on the local culinary market for prime time TV. By late 2014, he was offered the exclusive contract to be the new host of the Taste Cooking Culinary Show on CNC3 TV, which was rebranded as the Taste Challenge. Peru just recently finished shooting his sixth season of the franchise.

In early 2011, Peru was asked to become one of the elite chosen chefs and culinary facilitators at the newly established Fanatic Kitchen Studios in Port-of-Spain where he conducts live culinary showcases to the public and runs culinary workshops in a live cooking arena and forum. He claims to be the first chef to launch the opening of Fanatic Kitchen Studios to the public, which received overwhelming reviews.

Peru travels extensively with Fanatic Kitchen throughout the Caribbean to present culinary expositions and gastronomic showcases through symposiums and seminars. Very recently in 2013, he was the only Trinidadian chef, on Fanatic’s behalf, to be invited to the Jamaican Food Awards to present live cooking demonstrations at the two-day food seminar and Jamaican Observer Critic awards event.

To this day Peru continues to work fervently in the culinary field, even fulfilling three monthly cooking columns in local published magazines. He has also been featured three times in Caribbean Bell Fashion Magazine as an “elite Fashionable Chef in the Industry” in their Branded New Sexy Showcase. He was also featured in Johnson & Wales’ Culinary University Magazine, in their Success Issue, as their T&T Alma Mater Chef of 2010.

In collaboration with the continuing television media presence of his culinary shows, Peru ventured into the music industry in 2015 with the production of his first Chutney Soca hit single—Bubble With Me—which debut on the local music charts within two weeks of its release. His presence on local radio and building international music recognition has raised awareness and helped open him to new demographics and markets.

With his singing/recording career set to soar, Peru is collaborating with some of the premier recording studios and producers in the Caribbean, producing music yearly for both competitive reasons and cultural additions.

He said: “As far as singing and performing are concerned, I do this when time allows. Singing is something I love, like a hobby.” Rice, Peru’s single for 2017, was composed by Peru, KI and Veekash Sahadeo. He added: “I am satisfied with what the song has done so far. Thus far, it has placed me in this weekend’s Chutney Soca semifinals and it is enjoying good rotation on the airwaves.”

With all these projects and continual momentum, Peru has proved that he is journeying to build a template for what a true entertainment and showbiz chef should be. He’s building a brand and a name for himself that inspires others.

Making the right Imij

$
0
0

Like every other conglomerate, there comes a time for change, and it is once again the time for change for Imij & Co. Leader Joey Ng Wai said this week: “This allows us to give way to new and better talent, thereby giving them an opportunity to join the university of music—the University of Imij & Co, as we are so often referred too—to showcase their talent as a part of Imij & Co.”

Vocalist Kevon Carter is no longer with the band and Ng Wai has wished him the very best in his future endeavours.

Second Imij, also known as Imij & Co, is celebrating its 28th year of existence and is being rebranded.

Ng Wai said: “With the changing climate of the music industry in T&T, management took a decision to make changes not only to its personnel, but to the approach of the music, keeping a less electronic sound and more of a live instrumentation feel.”

Ng Wai, the lead guitarist, remains the leader of the band and now bassist Miguel “Santana” Charles, the longest standing member, will be the band’s musical director.

The newlook Imij & Co frontline comprises Malaika Ballantyne, Rachelle Chedz, Phillip Carter and Asten Isaac.

The 2014 South Calypso Monarch, Ballantyne has also been a National Calypso Queen finalist for four years. She is the daughter of acclaimed composer Gregory “GB” Ballantyne.

About her, Ng Wai said: “Malaika’s energy on the stage is truly fascinating. She has grown in every aspect as a performer and entertainer.”

He continued: “Rochelle’s passion and love for music is truly inspiring and admirable. Her No Talking hit song has been on the radio from April 2016 to present and has been one of the most requested songs on the local pop scene. Writing music comes naturally for Rochelle, so much more to come from her.”

Describing Carter as a musician, teacher and performer, Ng Wai said nothing is too much for this young man.

Isaac has been writing music for more than 12 years. His contributions for 2017 are Count Me In, Meet Ya Family, Doh Hurt Ya Head, and the one that plays constantly on the airwaves is Rum Friend. Isaac intends also releasing a ditty for the Power Soca category of the International Soca Monarch competition. Besides his contributions, Isaac has written 15 songs for various artistes, including seven Blaxx’s album.

“Asten is a self-motivated, ambitious and musical breath of fresh air to Imij & Co,” said Ng Wai.

Other personnel of Imij & Co include Dion Nora (producer/keyboardist/arranger, and occasionally the chef of the band); Jonathan Hensley; Kamau Abe Skerritt (DJ); and Kevin Toussaint and Kerron Patrick (technical staff).

Playing mas with a cause

$
0
0

Wee International (WI) is a Carnival band with a conscience, as the band digs into its profits each year to donate money to worthy causes. Maintaining its six-year tradition this year, WI mas band is donating all of its profits from Carnival Monday to the Cerebral Palsy Society of T&T. Masqueraders from the band will parade the streets on Carnival Monday in green (the signature colour of Cerebral Palsy) to bring awareness to the cause.

WI PRO Celeste Augustine explained: “This initiative, called Play Mas with a Purpose, began in 2011 when a former committee member brought the idea from a Breast Cancer awareness walk she had attended in Miami. All participants of that walk were asked to wear a Carnival headpiece since many of them had Caribbean backgrounds. Bandleader Rickie Davidson agreed to adopt the concept and expand it so that the band donated all of its profits to a society.

“Carnival Monday of 2011 had been dedicated to Breast Cancer Awareness where all masqueraders wore T-shirts that were pink (the signature colour for the cause) and sported the logo (pink ribbon). Since then, the band has dedicated every Carnival Monday to highlight a cause which affects Caribbean.”

For the past five months, Augustine, together with Keston Lazare and a small team, have been involved in any activism staged by the Cerebral Palsy Society. The goal this year is not only to provide financial support but to be fully immersed in all activities. Augustine said: “This is consistent with Rickie’s belief that a profit is not always financial but can also be social and used to improve person’s lives.

“The Play Mas with a Purpose team has, therefore, donated pampers and food supplies to the society. We have formed bonds with some of the parents and have heard many of their stories in a bid to understand the ailment. The committee has been giving Carnival Monday costumes to members of the society, along with their parents, who are interested in participating in the parade of bands. We have special arrangements to cater to any of their needs on that day.”

Cerebral Palsy Society president Phillip Metivier believes that many persons with CP in T&T are undiagnosed. He also wishes to spread awareness of the issue since many parents have yet to understand it. Metivier has told Play Mas with a Purpose that much of the government funding which parents of CP children would receive has been cut and he has, therefore, thanked Play Mas with a Purpose and Davidson for the offer to assist. He hopes that the coverage which the society receives would help in their plea for increased public and private support.

Record of Wee International charitable deeds:

2011 - Breast Cancer Awareness (Pink Monday)

2012 - End Human Trafficking and Modern-Day Slavery (Blue Monday)

2013 - End Violence Against Women and Children (Purple Monday)

2014 - HIV/Aids Awareness (Red Monday)

2016 - Autism Awareness (Multicoloured Monday)

Divas star at calypso cabaret

$
0
0

Divas Calypso Cabaret International, the country’s only all-female calypso tent, managed by Dr Rudolph Ottley, had an impressive opening night on Wednesday night.

Based at De Nu Pub (The Mas Camp) in Woodbrook, the premiere was graced by the presence of Community Development, Culture & the Arts minister Dr Nyan Gadsby-Dolly and Labour Minister Jennifer Baptiste Primus.

The formal prelude to the actual programme of performances was hosted by consultant/career coach Anthony Watkins who also gave the opening invocation.

The Divas tent has dedicated its entire 2017 season to Calypso Rose, who is up for a French Grammy in a few days.

In his address, Trinbago Unified Calypsonians Organisation (Tuco) president Lutalo Masimba (Bro Resistance) continued in the same vein he waxed warmly in the previous week at the opening of the Klassic Ruso calypso tent.

He warned that the administration “trying to buss we head,” referring to cuts in allocation to the calypsonians organisation and other issues.

Adding “we are in a state of war,” Masimba again advised the culture minister to address the issues of music piracy, the small percentage of calypso music on the airwaves and the scarcity of performing spaces nationwide for the arts.

“We must find a way to embrace the power of the calypsonian,” Masimba ended.

Hinting that better things are coming for the calypso art form, Gadsby Dolly called Calypso Rose “the quintessential woman of calypso.”

She added: “Rose is a story of the journey of women in calypso.”

The minister urged patrons gathered to “love the art form, love the country, for the benefit of the country.”

She also complimented Ottley for creating a maintaining a space for female calypsonians for the 14 years since the tents beginning.

Gadsby Dolly was presented with a token of appreciation by Ottley at the end of her short address.

In his address, Ottley traced the genesis of Divas Calypso Cabaret International and the involvement of women in carnival, and subsequently calypso, since the 19th century.

He said that he decided to form the tent upon realising that there was limited space in the established calypso tents for young, aspiring calypsonians.

Addressing Masimba, Ottley said: “Tuco needs to embark on the conscious mission that young calypsonians be included in all calypso tents.

“Something seems to be blocking young calypsonians from calypso tents, the only avenue for bringing them into calypso.

“The role of Divas Calypso Cabaret International is to inspire young, female calypsonians.”

Ottley made a plea for a significant increase in the involvement of the corporate sector in supporting calypso.

A number of the tent’s cast performed songs by Calypso Rose and among its cast were former Calypso Queen Karen Eccles, Stacey Sobers, Atlanta calypso monarch Empress Natty, Meguella Simon, Rae Ann Guerra and Jonnelle Manwaring.

Divas Calypso Cabaret International has a tight and compact programme that is emceed by Point Fortin comedienne Gillian Smith.

The tent is at its home base on Wednesday and Thursday each week, and at Kaiso Blues Cafe, 85 Woodford Street, Newtown on Fridays.

A number of road shows to rural communities are also planned.

Battle of the Sexes at Jean Pierre

$
0
0

A star-studded line-up is in place for Spektakula Promotions tomorrow’s annual Toyota Battle of the Sexes, Ladies Choice Edition. Now in its 17th year, the Toyota Battle of the Sexes will be held on Saturday at Jean Pierre Complex from 7.30 pm and pace and non-stop action are expected from over 20 top soca stars listed to perform.

The cast includes the biggest and best names in the business and for the season. Look out for the 2016 International Soca Monarch Voice; MX Prime & Ultimate Rejects with their Full Extreme; Bajan sensation Rupee; Ricardo “Iron Band” Drue; another Bajan crowd-pleaser Peter Ram with his catchy Good Morning (being played by no less than five bands for Panoram); Patrice Roberts; former International Soca Monarch and Road March winner Fay Ann Lyons-Alvarez; another former Soca Monarch, Iwer George (always a ladies favourite,); youth sensation Orlando Octave with advice on how to wine and fete like “yuh” single; Nadia Batson; Ravi B; Terri Lyons; many times Soca Monarch Ian “Bunji Garlin” Alvarez; and Kees Diffenthaller. Also on the cast are Linky First, Adana, Mr Smooth, Salty and Jadel.

In addition to the best of both sexes in the soca world battling it out on stage, look out for another kind of showdown between the rhythm sections with the sweet sounds of pan, soca and tassa.

The excitement will continue as one lady in the audience will win a brand new Toyota Corolla motor car.

 

• For more information call The Battle Line (628-8700) or check Spektakula Events on Facebook, Instagram or Twitter


Pan in a rage

$
0
0

A lot more of the national instrument is needed as a balm to heal our crime-stricken nation. On Tuesday night, when the North Zone preliminary was conducted, people came out in their thousands, commuting from panyard to panyard. From all reports the entire exercise, which ended after midnight, was incident-free as the public enjoyed the beautiful music played by some of the best steel orchestras on the planet. I continue to contend that pan is an instrument of peace and is the secret weapon all the world needs to combat violence and many of the ills that plague us today.

The first national champion of Panorama 2017 was crowned on Sunday night when Newtown Playboys Steel Symphony, led by Kwame Rodriguez, bettered 20 rivals to cop the Single Pan title, playing Carlon Harewood’s arrangement of SuperBlue’s Get Something and Wave.

 

Runners-up were San Juan All Stars and Woodbrook Playboyz, respectively.

Panorama judging for conventional bands continue nightly through this weekend.

The party scene also sizzled last weekend with some bumper fetes hosted by Old Hilarians (Cheers to 21) on Saturday and UWI (Wanderlust) on Sunday. Also impressing was Pelham Goddard & Roots when they headlined Sunday’s Roots, The Story Continues, Under the Trees at The Normandie in St Ann’s.

Many people are also favourably commenting about last Sunday’s Carnival, The Sound of People, a multi-faceted production staged by internationally acclaimed musician Etienne Charles at Queen’s Hall.

One patron said: “On a scale of 1-10, I will give Etienne’s show a 12.” Another quipped: “It is the best show I have ever attended in my entire life.” People are clamouring for a repeat of this production.

Not to be left out, Saturday’s Chutney Soca Monarch semifinal is being described by many as “epic.” Held at LIV Nightclub in La Romaine, the finalists selected to challenge KI on February 11 for the coveted title are Rikki Jai, Ravi B, Rooplal G, Hunter, Shivan R & Slammer Cutter, Michael “Showtime” Ramroop, Rick Ramoutar, Mishard Mayrhoo and Omadath Maharaj.

Tomorrow night’s Fete with the Saints is Saturday’s blue riband fete. Featuring Machel Montano, Kes the Band, Nuphoric, Private Ryan and more, the party will be held on St Mary’s College Ground, Serpentine Road, St Clair, from 6 pm.

On Sunday evening, from 5 pm, Yorke Inc will hold its Happy People all-inclusive fete at the University Inn & Conference Centre, UWI Circular Road, St Augustine.

Music will be by Kes the Band, Roy Cape All Stars, Dil-e-Nadan, Blaxx, Ricardo Drue, Raymond Ramnarine, Voice, KI, Tizzy, JW & Blaze, Point Fortin Engine Room and more.

Also on Sunday evening, the grounds of Presentation College, San Fernando will be transformed into a party zone when PREStige Past Students Foundation holds its 7PREStige all-inclusive fete.

Calypso and soca also have their place to shine in this weekend’s glow with the semi-final of the International Soca Monarch taking place on Sunday afternoon, back at its original home, the Arima Velodrome.

On Wednesday night, Minister of Community Development, Culture and the Arts Dr Nyan Gadsy Dolly, Labour Minister Jennifer Baptiste Primus and former Culture Minister Joan Yuille Williams were the honoured guests at the premiere of the all-female Divas Calypso Cabaret International calypso tent, based at De Nu Pub (The Mas Camp) in Woodbrook.

Preliminary judging for the National Calypso Monarch competition continues nightly in the calypso tents, with the judges visiting Kalypso Revue tonight at SWWTU Hall in Port-of-Spain, Kaiso Karavan at La Joya, St Joseph, tomorrow, and Kaiso House at Globe Cinema on Sunday night.

 

Old Hilarians celebrate 21

The Old Hilarians came of age last Saturday evening with the staging of their annual all-inclusive fete on the grounds of Bishop Anstey High School in Port-of-Spain. Heading the list of dignitaries in attendance was Prime Minister Keith Rowley, accompanied by his wife Sharon and daughter Tonya.

The party offered a wide and varied selection of food, including goat done wild-meat style, Trini Melee kibabs, barbecued pig tail, lasagne, and various types of souse. Musically, getting things rolling were DJ Jugglers, who introduced former Flavourite National Schools Soca Monarch Sergio Camejo, followed by Slam 100.5FM artiste 5 Star Akil who did a solo set of his past and current hits.

Just after 8 pm, Kes the Band came on stage and treated patrons to an hour of high intensity music. At the end, with the strains of Wotless still reverberating, the crowd began chanting “We want more.”

DJ Alicia D Duchess, who has been ripping up parties this year, began her set at 9.06 pm and introduced Terri Lyons who thrilled with her song What Is Mih Name and Recruit, performed sans Skinny Fabulous.

Lyons was followed by Iwer George who entertained with a 15-song set, including hits like J’Ouvert, Fete after Fete, Bubble, Party Hot, Jump in the Water, Jab Molassie, Hand in the Air, People Want Water, Trinidad, Show Me Yuh Hand, Hand, Do The Iwer.

Before patrons could catch a collective breath, entered MX Prime & Ultimate Rejects performing monster hit single Full Extreme. Prime also went retro to do Soca Train, and maintained the high intensity in the crowd when he sang Soca Warrior. Patrons sang the Soca Warrior chorus, as well as all of Full Extreme. Ultimate Rejects injected a taste of Panorama by performing the pan version of Full Extreme, extending the hit for over ten minutes.

It was 10.30 pm when the Roy Cape All Stars made its entrance, led by vocalists Blaxx, Ricardo Drue and the provocative-looking Tizzy. As usual, the band presented a number of guest performers, including Teddyson John and Rupee, and gave yet another typically well-rehearsed All Stars performance, embellished by strident horns.

Old Hilarians’ Cheers to 21 still had lots of verve and energy when it ended at midnight.

 

Price cut for Panorama

Patrons to Pan Trinbago/NLCB National Panorama Festival semi-finals on Sunday, February 12 can enjoy reduced ticket prices to the event. After taking into consideration several economic factors, the promoters have reverted to its original price structure. So, tickets for the North Stand will now cost $350, Grand Stand $200, with the North Greens at $250.

The semi-finals (the Savannah Party) will begin at 9 am, with 58 steelbands in three categories performing their tune of choice before the judges.

Early birds to all areas will receive free instant scratch lottery tickets (Lucky 7 and 10 X the money)—2,500 to the North Stand, 500 to the Grand Stand, and 1,500 to the Greens, or a chance to win up to $200,000.

Additionally, all patrons in the Grand Stand and North Greens will get free rum and beer, with those in the North Greens receiving natural water as long as stocks last.

Earlier this week, NLCB announced its title sponsorship of the major steelband and calypso competitions, that is, both the National Panorama semi-finals and the Calypso Fiesta in San Fernando.

School fetes deliver

$
0
0

The days of massive Carnival fetes staged by the likes of Customs Boys, Winsure, Cosmos, Guardian, St John’s, Tears, Anyhowers and Choice of Colours are a thing of the past, replaced by fund-raising parties held by schools. This year, all the school fetes have been successes, including Trinity College’s Soka in Moka, Bishop Anstey’s Old Hilarians’ Cheers to 21, Presentation colleges in Chaguanas and San Fernando and last Saturday’s Fete with the Saints.

Fete with the Saints, staged by the St Mary’s College Past Students’ Union at the college’s St Clair grounds, was awesome and organisers succeeded in raising the bar as far as these fund-raisers are concerned. From the depths of recession, almost 4,000 fete-hungry folks assembled at the venue for a night to remember. The luscious, green football field was transformed into a fete arena by Ultimate Events, with prominent corporate branding and most firms offering gifts to patrons.

With live entertainment by Machel Montano and his band, Kes the Band, featuring Kernal Roberts and Nailah Blackman as guests, and MX Prime & Ultimate Rejects, Fete with the Saints was attended by several dignitaries. Among those seen were president Anthony Carmona, Sharon Rowley, AG Faris Al-Rawi, House Speaker Bridgette Annisette-George, ministers Anthony Garcia, Clarence Rambarath and Maxie Cuffie, Port-of-Spain Mayor Joel Martinez, Howard University president Dr Wayne Frederick and ESPN anchor Shaka Hislop.

Food and premium drink were in abundance with prime caterers Chaud Restaurant, Boomerang and Berment Caterers, Tandoori Hut (Rasam) and More Vino restaurants in the mix. Other culinary favourites on the night were Phillip Mendes with his special beef, chicken and lamb sliders, and Trini Melee with its caterers Debra Bath-Gift, Giselle George and Lisa Collins among others attracting several to their stall with their unique cuisine.

This weekend it is the turn of Queen’s Royal College Old Boys’ Association (QRC OBA), the QRC PTA and the management team of the college to impress as they host the fourth edition of Fete Royal on Saturday from 6 pm. Lovin’ Carnival is their theme for 2017, and the Fete Committee promises a great event with a wider array of food from their usual food providers, such as Tandoori Hut (Rasam), Rib House, Barrow’s Catering, Garden Kitchen, Passage to Asia, Food Starrs, and Atlantic Caterers, to name a few.

Always a culinary innovator at its fetes, this year the committee is introducing some new items such as Shrimp Avocado Cocktails; Turkey Wraps; Fish Chowder; a locally themed dumpling station, serving Crab stuffed dumplings; Buljol stuffed dumplings; and, Roasted Melongene dumplings to mention a few.

The bar options promise to be unique and creative in keeping with the fete’s theme, with premium brands being throughout the night, by main sponsor Massy Distribution. Two years ago, Fete Royal introduced Gentlemen Quarters and this year, it has teamed up with Havana Hut, where patrons can sit, relax and sip the finest whiskeys by Chivas Regal, Glenlivet Single Malt, Jameson and Royal Salute while enjoy a good Cuban cigar. In addition, there will be a professional barber to maintain that crisp, sharp handsome look, throughout the night. In addition they will be having Angostura, serving the 1919 and providing it’s Angostura Rum Cocktails serving the world renowned Angostura Swizzle! There will also be Carib Brewery serving all the offerings from the Carib Zone.

The décor will ensure that you feel the love of Valentine’s Day, and the Ladies lounge will be filled with a full bubbly bar serving Casine Prosseco and wines in a relaxed lounge, with lit mirrors, refreshing wipes, and hair styling compliments John Freida and in keeping with the love theme, Grab and Go pastries will also be served.

QRC OBA president Kenrick Harrinauth disclosed: “Our president’s platform will be beautifully decorated and branded by GM Mumm Champagne and serving other fine brands to pamper our special VIP guests. We will have our Absolut and Tequila cocktails and shots bars to ensure no one is left out of this Lovin’ Experience.”

QRC Fete Royal 2017 is said to be the only event where four of the best bands will be performing, starting off with KI the Band, Destra Garcia and Bakanal, Kes the Band and Roy Cape All Stars featuring Blaxx, Tizzy and Ricardo Drue. Also performing will be MX Prime and the Ultimate Rejects and while the live bands change over the patrons will be kept moving by Alicia D Duchess.

As usual, security will be top notch in and around the venue to ensure your personal safety, and that of your valued property. Secured parking will be available at Tatil Car Park on Maraval Road and around the venue. However, the planning committee is urging patrons to ensure that they park their vehicles in a responsible manner.

Harrinauth added: “Our patrons will also have the opportunity to win two airlines tickets to Miami courtesy Caribbean Airlines Limited and another patron will also receive a TSTT/bMobile Huawei P9 mobile handset.”

He continued: “As in the past all proceeds from the event go directly back to the institution, for the benefit of the students. Over the past six years, the QRC OBA has contributed over $700,000 to the wellbeing of our students, so they may enjoy the best possible educational experience at Queen’s Royal College.”

Harrinauth conveyed thanks to sponsors of this event for partnering to produce Lovin’ Carnival such as Massy Distribution, Angostura, NLCB, Carib, I95.5, Hott93.5, Courts and Blue Waters.

For more information call 472-4204, 387-2411 and 795-0050 or at feteroyaltickets@gmail.com

Though not a school, but contributing to needy causes through its annual Carnival fete is Yorke Inc. The outfit held its Happy People all-inclusive fete on Sunday at the University Inn & Conference Centre, UWI Circular Road, St Augustine.

Attracting one of the largest turnouts to attend this annual event, music was provided by Kes the Band, Roy Cape All Stars, Dil-e-Nadan, Blaxx, Ricardo Drue, Raymond Ramnarine, MX Prime and Ultimate Rejects, Voice, KI, Tizzy, JW & Blaze and Point Fortin Engine Room.

The party was scheduled to end at midnight but went until 12.45 am on Monday. Among those seen enjoying themselves were Bridgette Annisette George, Labour Minister Jennifer Baptiste Primus, HDC chairman Neuman George, NUGFW President General James Lambert, NLCB executive director Ricardo Borde, Professor Clem Sankat, attorney Martin George and fashion designer Heather Jones.

With a fortnight left before the Carnival weekend a few schools also have their fund-raising parties planned in this period. Among them are Holy Cross College’s Soca on D Hill next Saturday; Arima Boys RC’s D Roll Call (February 17); Fatima College (February 18); St Anthony’s College’s Feting Tigers (February 19); St Crispin’s AC annual Tuesday evening reunion and lime (February 21); and, St James Secondary Alumni’s Backyard Cooler Lime, at How’zat Sports Lounge on Tragarete Road, Woodbrook (February 22).

Panorama Explosion in de Savannah

$
0
0

In spite of the impasse between Pan Trinbago Inc and the National Carnival Commission (NCC), all lights are on green for the staging of the National Panorama semi-finals on Sunday for Small, Medium and Large conventional steel orchestras.

The bands will be vying for final places in the 2017 National Panorama semi-finals at the Queen’s Park Savannah, from 9 am.

Yesterday, Pan Trinbago sought judicial review, heard before Justice Vasheist Kokaram in the Port-of-Spain High Court, to collect gate receipts for this year’s Panorama.

There is precedent for the Panorama competition being on the front burner of court matters. Well documented is the 1979 boycott of the Panorama by steelbands, as well as years when Tokyo, birdsong, Valley Harps and Potential Symphony took the steelband body to court for what they deemed was wrongful exclusion among the qualifiers.

In the historic 1979 boycott, pan players took the action after a request for “participation incentives of $3,500 in addition to an appearance fee of $500” was rejected by the then-PNM Government.

The boycott was a success as no Panorama was cancelled and no steelband showed up at the Queen’s Park Savannah on Carnival Monday and Tuesday, except Desperadoes on Tuesday evening.

The band’s appearance inspired Scrunter’s epic hit calypso Woman on the Bass, immortalised by Trinidad All Stars.

The preliminary round of competition for the 2017 Panorama was hotly contested at individual panyards and securing top spots going into the semis are small bands Fascinators and Tobago’s Our Boys; and defending large and medium band champions Desperadoes and Pan Elders.

Though a lengthy and tedious exercise, Panorama panyard judging brings out the best in our people as thousands move from panyard to panyard, many people carpooling, others hiring maxi taxis, and several simply walking from venue to venue to enjoy the offerings by the steelbands. It’s a peaceful time when crime seems to take a holiday.

I often wonder why the Government, the tourism entities and Pan Trinbago don’t brand panyard judging as a tourist attraction.

It is a time when the wide variety of local cuisine, steelband memorabilia—especially jerseys, cups, bandanas, rags, CDs, publication et al—can be sold to locals and visitors. The well organised sale of liquor in panyards is also a desirable attraction, generating much needed revenue for the bands.

Though seeming far-fetched, a small cover charge for visitors with passports, upon entry to panyards, is also a means of accruing funds for steelbands.

Pan Trinbago’s ability to generate revenue this year is thwarted significantly by not just the NCC manning the gates but because there will be no Greens on Sunday.

Yesterday Pan Trinbago acting president Richard Forteau expressed abject disappointment over this development.

He said: “It’s not just Pan Trinbago that will be losing revenue but the many Single Band bands who would have been hired by corporate Trinidad to perform at this venue.

“We are also being deprived of creating a space to wean the younger generation on the national instrument and Panorama.”

Come Sunday, Fascinators, Sforzata and Republic Bank Exodus will appear first in each of their categories when the Pan Trinbago/NLCB National Panorama semi-final gets on the way with 28 steel orchestras in the Medium and Large Bands categories joining 30 Small Bands in the Savannah Party for places in the grand finals.

When the false teeth flew

$
0
0

T&T Guardian’s Entertainment Ed­itor Peter Ray Blood has covered T&T Carnival for the past 37 years. He has also covered 25 editions of Barbados’ Crop Over Festival, as well as carnivals in New York, Miami, To­ronto, Jamaica and Grenada. In this, the conclusion of his two-part series about Carnival memories, Blood, also an ardent mas player, explores calyp­soes, mas and fetes of years gone by.

 

 Calypso memories:

Bahia Girl and Bun Dem

Of my many calypso memo­ries, one that stands out is one Dimanche Gras when calypsonian Crazy insisted that he should swing off the roof of the Grand Stand in the Savannah, by rope, with a monkey on his back as part of his presentation for the calypso monarch finals. It took much persuasion from the fire services officials to convince the Crazy how deadly this stunt would be.

In the calypso arena, competition is fierce, with some bards prepared to stop at nothing in an effort to win a title—even resorting to obeah and necromancy. There are tales of ca­lypsonians actually spending time in the cemetery at night to summon the spirits of the dearly departed to glean a victory. In one popular tent, a calypsonian was overheard complain­ing loudly backstage about a colleague putting cemetery dirt in his shoes.

Many calypsonians are supersti­tious and some refuse to even shake hands on the night of a competition, lest some negative karma is trans­ferred to them.

On a humorous note: in 1993, having sent a massive Skinner Park audience into a frenzy with his hit song Bacchanal Time, Blue Boy—now known as SuperBlue—in his exuberance, saw his dentures fall out of his mouth. Without breaking stride, he scooped up the delinquent object and returned it to his mouth without missing a note.

Two of my memorable years of ca­lypso competition were the Calypso Monarch finals of 1986 and 1987. In 1986, composer/singer David Rud­der created history by beating the seasoned bards on Dimanche Gras singing The Hammer and Bahia Girl. Not only did he win the coveted title but he also copped that year’s Young Kings title, the Road March with Bahia Girl and The Hammer was the tune of choice of the National Panorama champion Trinidad All Stars.

The following year, Rudder was dramatically dethroned by Black Sta­lin singing Bun Dem and Mr Panmak­er. It was Stalin’s third lien on the title.

Road March pageantry is replete with memorable wins, among them being SuperBlue’s 1980 victory with Soca Baptist, Tambu’s hattrick of 1988-1990, Machel Montano in 1997 with Big Truck and Jumbie in 2007, the 2000 tie between Super­Blue and Iwer George, JW & Blaze’s Palance in 2010, SuperBlue’s Fantastic Friday (2013) and Montano’s Like ah Boss (2015).

Longtime party days:

Fetes for $3 and $15

As a young man, I can recall the fetes for $3 at Teachers’ Training College and Guardian Sports Club on Wrightson Road, as well as the $10 and $15 fetes at venues like Winsure Club (Pt Cumana, Cosmos Club (Ed­ward Street), Carnival Village (now the yellow band maxi hub), Harvards (St James), Paragon Club (Cocorite)and Belmont Community Centre. Un­fortunately Paragon Sports & Cultural will not be holding its annual fete this year, opting instead to throw its ener­gies behind a jazz production in July.

The week before the days of Carni­val was “fete week,” with fetes being held nightly. Among the more popular were Anyhowers, Tears, Custom Boys, Ice Picks, Soca Village, Brass Festival and Harvards.

There was a time when steelbands ruled the roost as far as Carnival fete music was concerned. I remember one night when Harmonites and Starlift blew away a few of the then estab­lished and popular music bands at a fete in PSA. These bands, as well as Ebonites, Tripolians and Tokyo, were some of the steelbands in demand on the fete circuit.

High Mas: The great days of

Minshall art and steelband mas

Memories of mas are so many that it is difficult to select a favourite one or a couple. Coming immediately to mind, however, is that of my long re­lationship with Peter Minshall and his creations.

One of my most enjoyable years was 1980, the year Minshall produced Danse Macabre and I played a blue devil in Noble Douglas’ section. Any mas with paint, oil or mud is the most liberating experience anyone can have on a Carnival day.

 

 I also preserve lasting memories of Minshall’s Papillon (1982), The River (1983) and Paradise Lost (1977), the latter a band he designed for the late Stephen Lee Heung. It was one of Min­shall’s best ever designs in mas.

The ugly side of mas that year was that of rival kings blocking Minshall’s king, Peter Samuel, portraying Tiger Tiger Burning Bright, from parading at the Savannah. He was allowed to perform the costume one week after carnival, at Pan Trinbago’s Champs in Concert, and the costume and its wearer were given a standing ovation by a packed Grand and North Stand.

As a matter of fact, I would proba­bly need an entire book to speak about my memorable Minshall experiences as they are so many. Some of these include his designs portrayed by many-times King of Carnival Peter Samuel, the Humming Bird portrayed by his sister Sherry Ann Guy in 1974, his queen art for Alyson Brown (ie Tan Tan), and his individual designs like Madame Hiroshima from 1994’s Callaloo.  

Neither can I forget the portray­als by the late master wire bend­er Cito Velasquez—his 1959 band Fruits and Flowers being indelibly etched. In terms of portrayals, I also hold on to memories of the breathtaking portrayals by Al­fred Strasser, Edgar Whiley, Al­bert Moore, Colin Edghill, Errol Payne, Hilton Cox, Tony Alleng, Tedder Eustace, Joan Greene, Joan Massiah, Janet Rollock and Rose­mary Stone.

One of my most unforgettable Carnival costumes was Rajkumar Boyie, portrayed just ten years ago by Jhawan Thomas, king of Brian MacFarlane’s prize-winning In­dia. Unfortunately, the costume, portrayed on stilts, and depicting Boyie atop a jewelled elephant, collapsed on stage. Thomas also participated on stilts in this year’s King of Carnival as The Flying Dutchman but failed to make Tuesday night’s final.

Like Minshall’s Tiger Tiger Burning Bright, Saga Boy, Tan Tan, Sacred and Profane and Man Crab, Boyie was one of the most original costumes I have seen presented in the King of Carnival competition.

Apart from my Minshall ex­periences, my mas-playing days included duty in bands produced by Y de Lima Blue Diamonds, Star­lift, Pandemonium, the late Wayne Berkeley, Poison, Tribe, Brian Mac Farlane, Fantasia, Legacy and Ron­nie & Caro. I also enjoyed playing mas in New York, Miami, Jamaica and Barbados.

I cherish my first year of play­ing with Berkeley when he invited me to portray the individual The North Wind in the presentation Hero Myth. It was a beautiful sil­ver and black creation. Sending my memory much further back, I re­call the epic and iconic portrayals by the late George Bailey, Harold Saldenah, Stephen Lee Heung, Stephen Derek, Raoul Garib and Victor Rique, as well as colourful mas by steelbands like Despera­does, Starlift, Trinidad All Stars, Renegades and the fancy see bees of Dem Fortunates. A few of the mas bands used to be mammoth and I remember the presentations of Burrokeets, Oaksville and Tico Skinner.

On Carnival Tuesday 1968, there was a near-tragic incident on Independence Square when the truck carrying the musicians of Cassanova fell through the stage at that competition venue. Awaiting the arrival of a wrecker, the mu­sicians took it all in good stride as they struck up the opening bars of Kitchener’s Wrecker, much to the amusement of masqueraders.

Back in the day, a lot of mas was actually made by the masquerad­er, with Samaroo’s on Observatory Street being the main shopping centre of Carnival paraphenalia for costumery. If you played “big mas” you were furnished with a card in the mas camp, on that card, your deposit—most times in the princely sum of $20—and installments were recorded, until you had paid off for your costume.

Devon Seale goes for monarch repeat

$
0
0

It is more difficult to defend a title than to win one, and that’s why reigning National Calypso Monarch Devon Seale is exclusively focusing all his attention on retaining the title on Sunday night when the final is contested at Dimanche Gras, at the Queen’s Park Savannah, Port-of-Spain.

His sight set on the prize, Seale decided against participating in tonight’s Tuco’s KaisoRama Social and Political Commentary category and Extempore competitions.

Seale, who works with TSTT, has had an extremely busy year’s reign.

He said: “In terms of fulfilling the duties of the national calypso monarch, it has been a very hectic year.

“Apart from the travelling to perform at other Carnivals/ festivals, it also required that I visited schools and workshops to tell my story as a calypsonian and entrepreneur.

“Additionally, during this period I also launched my first compilation—SealeD in Calypso—which is doing quite well.

“In fact, this Carnival I had to order more CDs. Calypso followers appreciate that they can hear some of my renditions as far back as Lio to 2017 renditions.”

Seale was very busy during the year of his reign as he did overseas performances in North America, Barbados, Antigua, Grenada, Costa Rica and Colombia.

He said: “I truly enjoyed the Costa Rica experience, as there are a lot of opportunities in the Central America market and there is a large following of calypso music.”

In Costa Rica, Seale performed at the fourth International Calypso Festival, held in Cahuita.

So, how is a hard-working entrepreneur able to marry his profession with commitments as an artiste?

“This has never been a problem for me,” said Seale, “as I have been juggling profession, performing and studying for a number of years. Prioritising and proper time management is the key.”

I Carmona and Cyar Buy Class are Seale’s two primary calypsoes this Carnival and he earned nightly encores performing them at Kalypso Revue calypso tent.

He said: “The season has been good thus far, receiving positive reviews from patrons nightly at the Kalypso Revue with both renditions.

“In fact they are quite engaged in the decision-making process. Since it is now a one-song competition, patrons and followers are actively giving their advice as to their choice of the better song for the finals.”

Asked if he is one of those artistes who gets ruffled and nervous around competition time, Seale said: “It might be better to direct that question to the calypsonians, but for those who know me well, know I’m the same cool guy Devon Seale.

“In terms of having the material and my ability to deliver well, I feel very confident of retaining my title.

“In fact, any of the two songs chosen has the elements to retain the title.”

Seale said he was ready to take on all comers in Sunday night’s final and thinks it will be a level playing field.

He said: “I always believe that the Dimanche Gras is the Creme de la Creme and therefore the patrons must get their money’s worth.

“I’m into show business and professionalism on the stage, so I’m prepared to step up my game a notch or two and give a Grammy-type performance.

“Since the start of the season, I’ve been preparing for the finals. It should be noted that I made the conscious decision to opt out of the Political and Social Categories competition to solely focus all my energies on my performance and presentation for the finals.

“In terms of biggest challengers, it’s a bit difficult to write off anyone in a one-song competition.

“I’ll prefer to wait and see the 15 selected to challenge me rather than to look at the 40 semi-finalists.

Seale wants supporters of the highly-coveted competition to know that, although he opted out this year, he remains grateful for the recognition and prestige associated with participation in the category competitions.

Seale is asking calypso aficionados and the public to attend and support tonight’s KaisoRama event at Napa. Should he win the title he will be third calypsonian to do National Calypso Monarch repeat victories in the 21st century, a feat achieved only by Chalkdust (2004-’05) and Roderick Chuck Gordon (2014-’15).

Viewing all 284 articles
Browse latest View live


<script src="https://jsc.adskeeper.com/r/s/rssing.com.1596347.js" async> </script>